When you're in the entertainment industry, loyalty can accomplish wonders. However, trust can only take you so far, and Warner Bros. has tested those limitations. A no-nonsense approach to operating the corporation is in full effect with new CEO David Zaslav's efforts to cut costs and stop the development of planned films at the studio.
He was said to have been unhappy when he learned that Clint Eastwood's flop Cry Macho had been made despite management believing it would fail at the box office. Even though Eastwood was a high-profile actor and director, he was able to deliver hits like Dirty Harry and Unforgiven without going over budget or missing deadlines.
According to reports, Zaslav and other studio officials discussed this early on. According to an article in the Wall Street Journal, Warner Bros. executives permitted Cry Macho to be made despite an expected loss of millions of dollars. What are the reasons for this? David Zaslav had the following to say after being unimpressed by the answer:
This argument has considerably more impact now that the apparent suspicions about Cry Macho's box office performance have proven to be justified. Clint Eastwood's latest picture barely grossed $15.5 million at the box office, despite a modest $33 million budget.
Cry Macho's simultaneous release on HBO Max, as part of a series of films testing the waters for the future of cinema presentation, didn't help much either.
Wasn't Happy When He Discovered the Reason for a Recent Clint Eastwood Flop at Warner Bros
After the recent merger between Warner Bros. and Discovery was finalized, David Zaslav cleaned up the mess. Both TNT and TBS scripted programming has been cancelled due to Zaslav's decision. In the profile referenced above, David quotes the business mantra of Tom Cruise's Jerry Maguire: “It's not what you know, but who you know that matters.”
When it comes to Warner Bros., some may ask how far David Zaslav's dedication to brand and personalities extends when making decisions. When considering the recent meeting between J.K. Rowling and Zaslav, that's a particularly relevant issue to ask.
In a post-Harry Potter world, the gap between the success of the final two Fantastic Beasts films and the success of the franchise might be significant. Whether or not there will be a Fantastic Beasts 4 on HBO Max or in theatres is likely to depend on this. Even at the Warner Bros. property, the argument for the importance of devotion cuts both ways.
Pre-Zaslav, we witnessed the studio's partnership with Christopher Nolan tested and severed. Warner Bros. and Nolan parted ways in 2021, with Nolan giving Oppenheimer to rival studio Universal for his next feature. Even though David Zaslav claims that the studio owes no favours to its creators, I'm guessing that losing the director still hurts.
Warner Bros. is entering a new era, and I can't wait to see where it goes. However, if you haven't seen Cry Macho or Fantastic Beasts: The Secrets of Dumbledore, both movies are available on HBO Max. As for Warner Bros., they'll be promoting Baz Luhrmann's Elvis, which had a contentious Cannes premiere. A date has been set for the release of that picture.
Are These the 10 Best Clint Eastwood Westerns?
Joe Kidd Prevailed at the End (1972)
Clint Eastwood plays an ex-bounty hunter who grudgingly aids a wealthy landowner, and his soldiers locate and capture a Mexican revolutionary leader. Robert Duvall appears as a supporting character.
Josey Wales, the Outlaw (1976)
Critics agree that Clint Eastwood's post-Civil War Western, The Man Without a Name, is one of his greatest revisionist works of the genre.
Your father undoubtedly has a soft spot for this film. Clint Eastwood plays a Missouri farmer who becomes a feared gunslinger after Union soldiers slay his family. The film is an excellent addition to the Western genre, to which Eastwood has made numerous contributions. The following is an excerpt from “HBO Max.”
Hang them High! (1968)
The man who survived a lynching returns as a lawman to bring the vigilantes to justice after he narrowly escaped death. As a result of his recent success in the western spaghetti genre, Clint Eastwood was in high demand. In addition to Inger Stevens, Pat Hingle, Ed Begley, and Ben Johnson, the cast also includes Ed Begley.
If You're Willing to Pay a Little Extra (1965)
Clint Eastwood, Ennio Morricone, and Sergio Leone make For a Few Dollars More a genre masterpiece that deserves its place in the annals of cinematic history.
Two bounty hunters, Clint Eastwood and Lee Van Cleef work together to find an escaped Mexican outlaw. The music of Ennio Morricone, a maestro of the genre, is no less heavenly. It's often overlooked in the “Man with No Name” trilogy, but it's just as enjoyable, if not more so.
The Pale Rider Is Number Six (1985)
Since The Outlaw Josey Wales, Clint Eastwood has returned to the genre that made him famous as a director in an exquisite, spiritual Western riffing on Shane.
It was nearly a decade since Eastwood returned to the Western genre with a more brutal style in this tale of a mysterious preacher who rescues a little mining town from a greedy mining conglomerate. Richard Kiel, better known as Jaws from the James Bond films, is on the loose. Michael Moriarty, Carrie Snodgress, and Sydney Penny also star in this film. The following is an excerpt from “HBO Max.”
No. 5: Honky Tonk Man (1982)
According to the critics' consensus, Clint Eastwood succeeds in Honkytonk Man by showing his more tender side, a charming and heartwarming road movie that moves along nicely.
With his rascal uncle, a talented young musician sets out on a mission to perform on stage. As a road movie rather than a typical Western, it echoes some of the genre's best-loved motifs, including Eastwood's odd mentorship of his young nephew, played by Eastwood's son Kyle.
4) Drifter on the High Plains (1973)
Critics agree that Clint Eastwood's second film as a director is one of his most memorable Westerns, as he returns to the saddle as a mysterious stranger.
A gun-toting stranger arrives in a tiny town, where he is recruited to unite the people to fend off three bandits. The second-ever directing effort by Eastwood, “Play Misty for Me,” is a fan favorite.
3) Inexplicable Apologies (1992)
Critics Consensus: Clint Eastwood strips the Wild West of decades of Hollywood gloss and emerges with a sequence of savagely powerful observations about violence's nature. This is a Clint Eastwood movie, both as an actor and director.
This gloomy Western, which some have dubbed an “anti-western,” stars Clint Eastwood as a retired assassin who returns to killing after years of farming. William Munny, an aging and confused criminal who thought he had left behind a life of murder until it resurfaced in his latter years, is Eastwood's most nuanced performance as a director and performer.
It's beautifully photographed, and Gene Hackman (who won an Oscar for his role), Morgan Freeman, and Richard Harris round out a stellar cast. The following is an excerpt from “HBO Max.”
2) The Positive, Negative, And Negative (1966)
Overall, the critics agree that this epic is the best spaghetti western ever made, with a gripping tale, remarkable cast, stunning scenery, and an eerie score.
The “Man with No Name” trilogy, directed by Sergio Leone, helped establish Clint Eastwood as a leading man superstar. Once again, the simple choice is the operatic conclusion that includes three hours of huge showdowns, surprising humour, Ennio Morricone's sweeping score, and Eastwood in all of his cigar-chomping glory, alongside Eli Wallach and Lee Van Cleef, in front of Ennio Morricone.
1) A Bunch of Cash (1964)
With Yojimbo as a guide, Sergio Leone's A Fistful of Dollars helped usher in Clint Eastwood's illustrious career as the star of the Western.